by Jeroen van Bree
3 June 2012
Wes Anderson has perfected his style. But to what end?
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Tags: 1965, Art direction, Coen Brothers, David Fincher, Dolly shot, Film review, Jared Gilman, Kara Hayward, Moonrise Kingdom, Snap zoom, Terrence Malick, Wes Anderson, Whip pan
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